Verona

Ah… fair Verona, such a lovely town. We arrived by train, after a vaporetto ride to the Venice Santa Lucia train station.

One highlight of the trip we had both been looking forward to was the opportunity to see Turandot, the magnificent opera by Puccini, performed at the Verona Arena. In preparation for the evening ahead, in the afternoon we went to the Maria Callas exhibition, which was truly extraordinary. Her costumes, posters, photographs, props, newspaper clippings and so on, all about her life and career at La Scala in Milan, and elsewhere, with an excellent audio guide which interspersed commentary with recordings of her performing opera arias. In the context of the tragic events in her life, hearing her voice and her incredible performances was exquisitely poignant and moving.

Puccini’s Turandot was amazing. It was a Zeffirelli production, so the sets and costumes were fantastic. The chorus we estimated to be at least 150 singers, which is far larger than typical New Zealand opera performances I’ve played in or been to. The sound of the full chorus at fortissimo was simply astonishing, and it also meant that the conductor, rather than giving the orchestra the hand in order to plead restraint, was instead egging the brass on, simply in order to be heard. The result was an absolutely thrilling, intense and unforgettable sound. Went for a pizza and a cheeky prosecco afterwards!

The next day, we went on a wine tour of the local Valpolicella region, organised with Pagus Tours. We visited three wineries in the region, the first was a fairly large producer, the second a smaller family business with a beautiful cellar door building, where we had lunch. The only other people on the tour was a couple Rob and Angela from Florida, who were excellent company.

There are four notable DOC and DOCG wines of the Valpolicella region, made from predominantly the corvina grape, but with varying amounts of corvinone, rondinella, molinara, and other local grape varieties.

Valpolicella (sometimes Valpolicella Rosso) is a DOC red wine made in a light style without oak, for day time summer drinking, rather like a rosé. There is also Valpolicella Classico, a historical denomination indicating just that it comes from one of five townships to the west of the region. Valpolicella Superiore is fermented for longer for a heavier style red wine, and aged in oak for at least a year.

The DOCG wine that has been made traditionally in the Valpolicella region since Roman times is Recioto, a sweet red wine. The grapes are harvested very late and dried on racks for up to three months in order to concentrate the juice and flavour. They will have lost nearly half their weight in water, and the juice is then fermented and cut short to produce a very sweet wine. Until the mid-20th Century, this was by far the predominant wine made in the region. We tried a couple of very good recioto wines, and they are very crisp and fruit driven, without the raisin or prune overtones of port.

In the 1970s a method of winemaking emerged called Ripasso, meaning “re-passed”. Now a DOC wine in itself, it is a Valpolicella wine with the pomace from a Recioto or Amarone added back in, for a second round of maceration and further fermentation. This produces a more robust, darker and beautifully complex wine, which must be aged in oak for a minimum of two years.

Finally, a wine called Amarone emerged in the mid 20th Century. Now a DOCG wine, a good story is that it resulted from barrels of recioto abandoned during World War Two that were left to fully ferment. Although this story may be somewhat fanciful, such wine having probably been produced in the past, modern Amarone began to be deliberately produced only since the 1950s. Amarone is a very strong, highly alcoholic, strongly oaked, full and complex wine, made from dried late harvest red grapes as per a Recioto. For the DOCG it must be aged for three years in oak, and many makers age it for longer still.

After lunch we visited the tour guide’s family business, Damoli, which makes a stunning 2006 “Checo” amarone. We were forced to buy six bottles to bring back in the luggage.

After all that hard work, and a nap at the hotel, we met up with Rob and Angela again at an excellent restaurant, Trattoria Tre Marchetti, for a four course degustation. It was entirely decadent and well-deserved; ham with an apricot and cherry marinaded in mustard and amarone, which gave them a horseradish kick. A porcini and black truffle fettucine, then braised veal cheek in jus, with buttered potatoes and a little pressed spoon of suviche zucchini and carrot. And a plate of miniature dessert pastries. With a great Superiore, a Zenato Ripasso, and finally a Recioto, which we dared to try with the red meat; it was surprising and fantastic. The wine was offered in an array of wineglasses including Murano glass, and one for the Ripasso that was seriously the size of my face. And as anyone who knows me knows, I have a big face.

The following day it was hot, and we felt a little tired and lazy, so we had pizza with soppressata, olives, capers and big white anchoves from a good outdoor pizzeria for lunch, and read our books for a while. We had a look around the fortress museum, lots of devotional art, frescoes and statues of the Virgin Mary.

Interesting different things about Italy #49: bathroom taps are often operated by a foot pedal.

At 5.30 we jumped on the train again. Next up, Bologna, less than an hour away, where we just had great fresh pasta with Bolognese ragù for dinner at a Chinese-run canteen for only €5, since almost nothing else was open. But that’s another story for another post!

Venice

Traveling in style on Italotreno at 300 km/h.

On Monday, we checked out of our hotel in Rome, and jumped on a train to Venice. This Italotreno train zoomed along at up to 300 km/h in places, in a comfortable quiet cabin with free WiFi. On arrival, we find the main island of Venice rammed with tourists, not helped by an illusion of density; the “streets” are very narrow. There are no roads, only canals and pedestrian footpaths; no vehicles, save for hand-pulled carts for delivering goods, and of course the famous Venetian gondolas.

Our hotel room was teeny-tiny but manageable, in a Venetian house that had been converted into a hotel. We were to later learn this to be common; the only “locals” we saw were the business owners, tour guides, restaurant staff and the like. One guide told us that not many locals can afford to live on the main island any more due to the increasing costs of maintenance and insurance as the island subsides (and the sea level rises), and the sky-high rents, driven in part by highly lucrative tourism. Most apart from the mega-rich now live on the mainland, and if they still own property on the island, let it out through Airbnb; much of the housing in Venice is now hotels, or even empty.

After settling in we found what turned out to be an awful place for tea, Aciugheta. The service was terrible and they served tired, microwaved frozen seafood on chewy packet pasta.

The next day we found Magna Bevi Tasi, a lovely place to start the day with coffee and a panini in the morning, on the square next to the hotel. From there we embarked on a walking tour around San Marco, and a visit to St. Mark’s and the Doge’s Palace. In the afternoon we went on the Vaporetto (water bus) out to the island of Murano, with its glass factories that produce the famous and beautiful Venetian glass, and Burano, famous for its lace. By this point the relentless crowds of tourists everywhere drove me to escape down a quiet alleyway, where I found, only a hundred yards away, an oasis of quiet and colourful residential Venice, and managed a few idiot-free photographs.

That night we found Antica Osteria ai Tre Leone for tea, a lovely place right next to the Bridge Hotel with good pasta and wine list.

On Wednesday it was Bek’s birthday, and so we ventured out into the local countryside on a Prosecco tour. What better way to spend a birthday than drinking nice sparkling wine in the sun?

Prosecco vineyards near Valdobbiadene, Italy.

We went to three different Prosecco wineries, all producing Prosecco Superiore DOCG, which is sparkling wine made in a region around the towns of Conegliano and Valdobbiadene, from the Prosecco grape. The first was Toffoli, near Conegliano. They make a really good millesimato, extra dry. We mailed six magnums home to make use of the good NZ shipping rate. Happy birthday! These will come in handy for special occasions. We also got chatting to one of the staff who came to New Zealand for a couple of years and worked in Marlborough vineyards, and he very kindly gave us a couple of bottles of their sparkling rosé, made from the Marzemino grape.

A prosecco vending machine, in the middle of a vineyard.

On the way to the next vineyard in Valdobbiadene, where we had lunch, we stopped by a prosecco vending machine, out in the middle of the vineyard on a hill, with chairs and tables nearby. The whole thing runs as some sort of local honesty system. Just amazing!

Prosecco Superiore DOCG from Villa Sandi.

The third vineyard was Villa Sandi, which also had a lovely extra dry Prosecco Superiore.

After a hard day of drinking sparkling wine and being chauffeured around the Italian countryside, we went to the Tre Leone again for dinner. It’s a good restaurant, and it was very crowded and tiresome to try to find another good one.

The next day we decided to take it easy. The main island of Venice was relentlessly busy with tourists, so we emerged about midday and decided to bob along Canal Grande on the Vaporetto for about an hour and a half, until we ended up at the Lido.

Here we reclined on the beach for a while with Prosecco and spritz. Dear reader, if you want to visit Venice in the height of summer, go to the island of Lido – it is refreshingly free of tourist crowds and has good local cafés and restaurants. We went to a nice outdoor place for dinner on Gran Viale San Maria Elisabetta with good food and service.

Tomorrow we catch the train to Verona!

Rome and the Vatican

We spent most of a whole day on a tour of the Vatican museums, Cistine Chapel, and St Peter’s Basilica. The frescos in St Peter’s Basilica are all amazing examples of the art of the time, but there is not a single drop of paint in the whole building. They are not paintings, they are mosaics, painstakingly made from chips of stone no larger than 5mm in diameter, in beautiful mineral colours that will never fade, flake, peel or disintegrate.

In the Vatican museums there is a map room, a hundred metres long, with gilded ceilings and huge illuminated maps of the old world on the walls. There are mosaics on the floor from 100 B.C. that look like they were laid only last century. There are huge paintings on walls that I’ve only seen in tiny pictures in art history books, and there is the Pigna, a giant bronze pine cone several metres high, originally from an ancient Roman fountain of around 100 B.C. at the Temple of Isis near the Pantheon.

I Pini di Villa Borghese

The next day we walked to the Villa Borghese gardens and walked around for a few hours looking at the gardens, pine trees and fountains. Several Respighi movements were found: I pini di Villa Borghese, La fontana di Villa Medici al tramonto, and possibly also La fontana di Valle Giulia all’Alba; although the fountains were photographed in the afternoon. We found a Leonardo da Vinci machines exhibit next to Fontana del Nettuno, and a small modern art gallery in the aranciera (an old Italian word for orangery, a glasshouse for growing citrus trees in cooler climates).

La fontana di Valle Giulia

Our feet were killing us by this stage but we went and found Ristorante Maccheroni, as recommended by Damian. Since we arrived a bit early, we went next door to the Osterio dello Copello and had some cocktails first. When the restaurant opened, I was obliged to compare another cacio e pepe, and an unremarkable chicken piato secondo, but a bottle of a local Lazio region 2014 Shiraz was beautiful and made up for it.

Cocktail recipes

Schiarparelli Sour: vodka, lychee liqueur, lime juice, syrup, red fruit infusion, violet spray.

Rue di Rivoli: cognac, green chartreuse, lime juice, beer sugar, angostura.

Venez m’Aider: gin, aparol, lemon juice, Rabarbero Zucca, orange bitters, prosecco.

Olandese Volante: tangerine infused gin, lime juice, syrup, amaro sibilla, orange soda.

Casa Coppelle Swizzle: white rum, dark rum, spiced rum, falernum, cinnanon syrup, passionfruit, lime juice.

The following day we were pretty exhausted and didn’t do a lot. We went for a walk about lunch time (seemingly about 3pm in Italy) and concluded that fat people don’t exist in Rome. Or, if they do, they keep themselves well hidden. They certainly don’t buy their shorts in any of the clothing shops I could find, and the shop attendants practically shooed me out the door.

We went out for dinner to Ristorante l’Excellenza, as recommended by Tim. It was indeed excellent; I had the Beef fillet with pickled and brined porcini mushrooms, whole garlic cloves, and a rosemary-infused olive oil. Beautiful savory tastes. A glass of the house red was another Lazio Shiraz which turned out to be smashing.

La fontana del Tritone al mattino

The next morning we investigated the Triton Fountain on the way to the Appian Way, and the catacombs. Just to make things interesting, my tooth crown fractured at breakfast, so we had to phone around using our best Italiano and find a dentist. The fantastic woman who fixed it runs a dentist shop by the Villa Torlonia park, which contains La Limonaia, another orangery building, now converted into a café where we went for a nice drink. The dentist recommended we go to Hostario Insolato just up the road from the Colosseum for their pasta tasting. They bring out dishes of pasta from the kitchen until you are full, for €9 for the first, and €1 for each subsequent dish. We had 5 dishes and another great bottle of Lazio red.

Arriving in Rome

Pines of the Jainiculum, Rome.

We arrived from the airport by cab and checked in to the Hearth Hotel, on Via Santamaura, right next to the Vatican museum gate. A good spot and very handy by foot and Metro to the rest of the city.

A walk about took us to Saint Peter’s Square, and then up to the nearby Jainiculum (Gianicolo) in order to unlock the first of many Respighi achievements, Pini di Roma: III. I pini del Gianicolo. It is one of several hills around Rome, and mostly a public park, with many sculptures and busts of historical Italian figures dotted about.

Later in the afternoon we wandered into Trastevere district, which has lots of art shops and restaurants on either side of old cobbled Roman streets. Along the way we entered Santa Maria in Trastevere, a Roman basilica dating back to the fourth century A.D. Its beautiful gilded ceilings and Cavallini mosaics are a stunning sight.

The next day we went on a guided tour around the Colosseum and Roman Forum, and another around the Spanish Steps, the Trevi Fountain (Respighi achievement unlocked, Fontane di Roma: III. La fontana di Trevi al meriggio) and the Pantheon. A big full day, but thoroughly worth it.

The ancient Romans had figured out how to make strong concrete (opus cæmenticium) using volcanic ash. Unlike the modern technique of using gravel aggregate and pouring it into place, they used it more like a mortar, to lay bigger bits of baked clay bricks or rubble together. The Colosseum was built using brick and concrete around 110 A.D. and must have been a beautiful spectacle in brilliant white travertine, and festooned with many marble sculptures and reliefs.

Whilst it did fall into disuse after the fall of the Roman Empire, its current dilapidated state is mostly due to its deliberate dismantling over the following thousand years by builders, who raided its marble statues and outer cladding blocks in order to build other Roman buildings, including much of what is now Vatican City.

The Pantheon is the largest unreinforced concrete dome in the world, built in 120 A.D. with a diameter of 43 metres. It was built using pumice as the aggregate towards the top, to reduce the load on the lower structure.

It is truly remarkable that, despite the Italian peninsula being prone to large earthquakes similar to New Zealand, these buildings are still standing after two thousand years.

Lombardi “Propileo” Cesanese, a good Lazio red.

Along the way we observed that in Rome at least, road rules are mostly optional, and most cars seem to be fitted with broken indicator bulbs. Drivers do stop for pedestrians though, which was a relief. Just around the corner from the hotel was a great restaurant where we could use our colourful Euro beer vouchers to buy great Italian food and local wine, including an IGT red wine from the Lazio region, a Cesanese called Propileo, which has been somewhat hard to track down since. Inevitably, I tried a local dish called Cacio e pepe.

Cacio e pepe

Like many Italian dishes, cacio e pepe (literally “cheese and pepper”) is a fantastic yet deceptively simple dish: pasta served hot straight from the pot with a generous handful of finely grated cheese and black pepper. This restaurant added a squeeze of lemon juice, which makes it exquisite.

Ingredients:

  • 450 g (1 lb) of fresh pasta (spaghetti, tagliatelle)
  • 180 g (6 oz) Pecorino Romano*
  • 40 g (1½ oz) butter
  • about 1 tsp freshly ground black pepper, to taste
  • lemon juice to taste (optional)

Bring plenty of salted water to a boil in a big pot and cook the pasta for 2-3 minutes until just tender. Grate the cheese with a fine grater. Melt the butter in a frying pan and fry the pepper for a minute or so. Using tongs drop the cooked pasta into the frying pan with about 100 ml (½ cup) of the hot pasta water,  stir to coat well, then dump the cheese on top, and stir until melted. Serve immediately in bowls, garnish with a squeeze of lemon juice and a little more ground black pepper. Match with a good red wine with a food-friendly acidity.

Note: Pecorino Romano is a local Italian cheese made from sheep milk. If required, substitute any good hard salty cheese instead, e.g. Parmesan or a good aged cheddar.